{"id":64,"date":"2013-08-03T19:56:36","date_gmt":"2013-08-03T19:56:36","guid":{"rendered":"https:\/\/jondavies.ca\/?page_id=64"},"modified":"2024-02-23T01:29:15","modified_gmt":"2024-02-23T01:29:15","slug":"where-i-lived-and-what-i-lived-for","status":"publish","type":"page","link":"https:\/\/jondavies.ca\/?page_id=64","title":{"rendered":"Where I Lived, and What I Lived For"},"content":{"rendered":"

\u201cThe passage of time (my History) leaves behind a residue that accumulates\u2026\u201d\u00a0\u2013 Georges Perec<\/p>\n

Oakville Galleries is located in the spaces of a once-private estate house and a public library. The two-part exhibition Where I Lived, and What I Lived For<\/em> uses these highly contemplative environments to explore how interiority and the everyday are staged in the works of sixteen Canadian and international artists, including a number of works from Oakville Galleries\u2019 permanent collection. Here, intangible emotions are given form through intimate acts of recording and writing that trace the domestic sphere and the relationships it fosters. The home and the written word become extensions of the psyche: manifestations of inner life and venues for self-articulation. Blurring the lines between disclosure and artifice, privacy and publicity, the exhibition speculates on how feelings nurtured in solitude play out when an audience\u2014real or imagined\u2014is present to share in them.<\/p>\n

The exhibition at Oakville Galleries in Gairloch Gardens was inspired by the 1922 Arts and Crafts-style house that now harbours the Galleries. Collectively, the works on view evidence how the domestic sphere shapes one\u2019s emotional milieu from childhood through to adulthood, with artists keenly observing their own domestic surroundings and circumstances or reporting on others’ everyday lives. The rooms of a house serve to incubate our deepest thoughts, memories, fantasies, and dreams, and the works on view here invoke some of the affective spectres that haunt such interiors.<\/p>\n

The exhibition at Oakville Galleries at Centennial Square, in the central branch of the Oakville Public Library, examines how private emotions\u2014particularly around the complex dynamics of romantic partnerships, and between parents and children\u2014take on a public life through the written word. The textual repetition visible in many of the works here\u2014books, dialogue, diaries, poetry, song lyrics\u2014suggests an obsessive need to leave a mark and make one\u2019s feelings known through the vital act of writing.<\/p>\n

Exhibiting artists include Charles-Henry B\u00e9du\u00e9, Greg Curnoe, Moyra Davey, Hannah Hilary Enkel, Josh Faught, Laura Letinsky, Micah Lexier, Arthur Lipsett, Attila Richard Lukacs, Ken Lum, Gwen MacGregor, David Merritt, Brad Phillips, Cheryl Sourkes, Erdem Ta\u015fdelen, and Jim Verburg.<\/p>\n

\"Charles-Henry<\/a>
Charles-Henry B\u00e9du\u00e9<\/figcaption><\/figure>\n
\"Cheryl<\/a>
Cheryl Sourkes and Ken Lum<\/figcaption><\/figure>\n
\"Brad<\/a>
Brad Phillips<\/figcaption><\/figure>\n
\"Greg<\/a>
Greg Curnoe<\/figcaption><\/figure>\n
\"Arthur<\/a>
Arthur Lipsett<\/figcaption><\/figure>\n
\"Gwen<\/a>
Gwen MacGregor<\/figcaption><\/figure>\n
\"Hannah<\/a>
Hannah Hilary Enkel and Laura Letinsky<\/figcaption><\/figure>\n
\"Hannah<\/a>
Hannah Hilary Enkel<\/figcaption><\/figure>\n
\"Attila<\/a>
Attila Richard Lukacs and Jim Verburg<\/figcaption><\/figure>\n
\"David<\/a>
David Merritt and Ken Lum<\/figcaption><\/figure>\n
\"Josh<\/a>
Josh Faught<\/figcaption><\/figure>\n
\"Josh<\/a>
Josh Faught<\/figcaption><\/figure>\n
\"Micah<\/a>
Micah Lexier<\/figcaption><\/figure>\n
\"Moyra<\/a>
Moyra Davey<\/figcaption><\/figure>\n
\"Erdem<\/a>
Erdem Tasdelen<\/figcaption><\/figure>\n
All installation shots by Toni Hafkenscheid.<\/h5>\n","protected":false},"excerpt":{"rendered":"

\u201cThe passage of time (my History) leaves behind a residue that accumulates\u2026\u201d\u00a0\u2013 Georges Perec Oakville Galleries is located in the spaces of a once-private estate house and a public library. The two-part exhibition Where I Lived, and What I Lived For uses these highly contemplative environments to explore how interiority and the everyday are staged […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-64","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/jondavies.ca\/index.php?rest_route=\/wp\/v2\/pages\/64","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jondavies.ca\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jondavies.ca\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jondavies.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jondavies.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=64"}],"version-history":[{"count":15,"href":"https:\/\/jondavies.ca\/index.php?rest_route=\/wp\/v2\/pages\/64\/revisions"}],"predecessor-version":[{"id":1054,"href":"https:\/\/jondavies.ca\/index.php?rest_route=\/wp\/v2\/pages\/64\/revisions\/1054"}],"wp:attachment":[{"href":"https:\/\/jondavies.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=64"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}